This silver ewer was made between the 6th-7th century C.E. in Iran, or Sasanian ruled Persia. Many ewers of this time period were pear shaped, and gilt with gold. The dancers on the ewer have symbolic meaning, dancing with cups and grapes, representing the cult of Dionysus, the Roman cult which spread over the Mediterranean and Middle East. The size of the ewer is 35.5 cm by 16.9 cm by 14 cm. The item is currently in the Freer and Sackler Museum, Accession number S1987.117.
This vase is also pear shaped silver with gilt gold. There are four dancers appearing on it, one with fruit and a falcon, another with a cup and a dog by her side, the third with a staff covered in vines or ivy. Repeated is the symbolism of the Dionysian cult, but also the symbolism of the cult of Anahita. The measurements are 15.24 cm (height) by 10.8 cm (diametre) by 5.4 cm (base). It is currently in the Los Angeles Museum of Art, Acession number AC1992.152.82.
This silver bowl, gilt with gold is decorated on the outside with three dancers and three musicians.
The animal on the base is a combination of boar and The Simurgh, which is tied back to the Zoroastrian belief of Verethragna. The bowl was sold by The Saleroom in 2015.
This tunic was found in Akhmim, Egypt, and was dated to 500-700 C.E. The height is 48 cm shoulder to hem and the width is 59.5 cm wrist to wrist. The size alone means that it is more than likely a child’s tunic.
The fabric is either plain woven linen or cotton, resist dyed with indigo. The tunic itself is more tailored than other tunics worn at the same time in Egypt. There are side gores attached to the hem, as well as separate attached sleeves including an underarm gore-
which points to an influence from Syria. The neck opening is like other children’s tunics of the time- round neckline with a slit along one shoulder.
The tunic is currently in the V&A Museum, Accession number 1522-1899.
I am sorry about not posting this year. My husband and I have just stepped up as Baron and Baroness of our group. There was much frantic sewing and organising.
Since this challenge has been overcome, I will provide a new chart on this blog to challenge you!
This textile was made in Egypt, between the 10th-15th century C.E. It is plain woven linen, size 12 cm by 17.5 cm, and embroidered in blue flax. There is a selvedge on the right side of the textile. It can be found in the Ashmolean Museum EA 1984.560
I have charted it up, but the less than whole textile shows that there was another “zigzag” design at the bottom (there is a crescent seen on the bottom left). I am unable to work out if another full zigzag was done, or a repeat on the capping zigzag. I look forward to hearing your opinions on it!
This textile is plain tabby woven linen, 11.5 cm by 7.8cm and embroidered in red silk. The textile was thought to have been made between the 10th-15th century C.E and found in Egypt. Currently the textile can be found in the Ashmolean Museum Accession number EA1993.193. I have charted up the design & is available for download in pdf format.
This textile is also plain woven linen embroidered with red silk, 10th-15th century C.E. found in Egypt. The size is 43 cm by 47 cm. However, there is a selvedge on the left hand side of the textile. It is currently in the Ashmolean Museum Accession number EA1993.195. I have charted up the embroidery design. It is available for download as a pdf.
This textile is also plain woven linen embroidered with silk (blue), 10th-15th century C.E. from Egypt. It is 21 cm by 17 cm with a crude seam on the right side of the textile, sewn with flax. The textile is in the Ashmolean Museum Accession number EA1993.185. I have charted up the design and it is available for download in pdf format.
This textile is like the previous- plain woven linen embroidered with red silk, made between the 10th-15th century C.E in Egypt. The size is 18 cm by 11.7 cm with a rolled hem in flax on the left side of the textile. It is currently in the Ashmolean Museum Accession number EA1993.194. The chart is available as pdf to download.
Please let me know how the charts go! For more information on bird symbolism please read Birds in Islamic Culture (blog), The Conference of the Birds, and The Simurgh.
This textile is cream coloured mulham (silk-linen blend) worked with couched metal thread (gold wound on cream silk), with brown, cream, light green and light blue silk thread worked in split stitch. Done over two pieces that were then sewn together, the textile is 11cm by 9cm. It is currently in the Museum of Fine Arts Accesssion number 31.445. It is linked to two other textiles in the Museum, specifically Accession number 31.443 and Accession number 31.444 although the records differ, with the other textile saying that it is Mesopotamian from the 10th-11th century.
I have done my own interpretation of the embroidery, with linen as a background cloth, using Gumnut Yarns silk perle thread and gilt smooth passing thread on a silk core.
My colour choices were based on article History of Dyes Used in Different Historical Periods of Egypt by Omar Abdel-Kareem.
I am unsure of the date of the embroidery, so any information would be welcome!
This textile was thought to have been made in Egypt between the 10th to 15th century C.E. It is tabby woven linen embroidered in dark blue silk in double running stitch. The design is 9.3cm wide, while the whole textile is 20 cm by 22 cm. There is a selvedge on the right side of the textile. It is currently in the Ashmolean Museum, EA1984.546.
I have charted up the design for use. It’s in PDF format. Let me know how it goes!
This textile was thought to have been made between the 10th and 15th century C.E. in Egypt. It is plain woven linen, embroidered in double running stitch in blue and pink silk. There are three rolled hems along the top, bottom, and right hand side of the textile. It is 19.5 cm wide by 12.5 cm high.
It is currently in the Ashmolean Museum, accession number EA1984.408.
I have charted up the design. It is available as a pdf.