This textile was made between the 10th-15th centuries in Egypt. It is linen embroidered in blue flax. The size is 38 cm by 20 cm. The item is currently in the research collection of the Ashmolean Museum.
I have charted up the design, which can be downloaded as a pdf document-
Let me know how the embroidery goes!
This bowl is from 10th-11th century Iran. This is made of earthenware with under-glaze slip decorations of the zodiac sign of Capricorn.
This bowl is also from the 10th-11th century Iran. Made from earthenware, it has under-glaze slip decoration of the zodiac sign Leo. The kiln firing caused part of the glaze to melt & blur.
This bowl was made in the 13th century in central Iran. It is made from stone paste earthenware, with under-glaze decorations of birds and scroll work.
The bowl made made between the 10th-11th century in Iran. It is made from stone paste earthenware with lustre glaze decorations of calligraphy and scrolled flowers.
More thanks go to Mistress ffride wlffsdotter, who has been most gently encouraging me to post these beautiful pictures she took.
This bowl is from 13th-14th century Iran. It is stone paste earthenware with lustre decoration of three people in a garden. It is part of the Gallery’s permanent collection. The size of the bowl is 22.4 cm.
This bowl is also 13th century from Iran. The bowl is 21.4 cm, stone paste earthenware with underglaze and lustre decorations of the story of Bahram Gur. The bowl is in the permanent collection of the Gallery.
This bowl is from 10th century Iran. The bowl is earthenware with underglaze slip decorations of a “cosmic prince” a zodiac symbol of the sun.
The Art Gallery of South Australia recently held an exhibit called Paradise on Earth: Flowers in the Art of Islam.
I would like to thank Mistress ffride wlffsdotter for the use of her photos and her support of the Guild!
This dish is an Ottoman 16th century iznik.
The decoration is of a hunting dog and rabbit in an earthenware glaze.
This dish is also 16th century Ottoman iznik.
The decorations are of tulips and poppies.
This is a moulded glass bottle, made between 500-650 C.E. It is octagonal in shape, 9.2 cm by 9.4 cm by 9.4 cm. It is decorated with the Jewish symbols of the menorah, the shofar, an incense shovel and the lulav. The bottle was made in Byzantine ruled Syria and was thought to have been made for Jewish pilgrims going to the Holy Land. The bottle is currently in the Metropolitan Museum of Art.
This bottle also is octagonally shaped but the dimensions are 8.1 cm by 7 cm by 7.7 cm. The bottle also has been decorated with the Jewish symbols of the lulav, menorah, incense shovel and shofar. It was mold-blown glass, made between 578–636 C.E. The bottle is in the Metropolitan Museum of Art.
This molded glass jug is hexagonal in shape and also decorated with the Jewish symbols mentioned above. The dimensions are 15.7 cm by 7.4 cm by 6.8 cm. The jug is in the Metropolitan Museum of Art. All three items were thought to have been made in the one workshop.
Population, Settlement and Economy in Late Roman and Byzantine Palestine (70-641 AD) by Doron Bar. JStor article.
A Court Jew’s Silver Cup by Vivian B. Mann. Metropolitan Museum Journal.
An Empire’s New Holy Land: The Byzantine Period by S. Thomas Parker. JStor article.
Judaism During the Byzantine Period by Yitzchak Schwartz. The Metropolitan Museum of Art Blog.
Religious Contacts in Byzantine Palestine by Gedaliahu G. Stroumsa. JStor article.
This textile is from Egypt, made between 1250-1516 C.E. during the Mamluk Sultanate. It is a linen shawl, embroidered with silk in tree and bird motifs with tiraz at the bottom. The shawl is also tasseled. It is currently in the Victoria and Albert Museum.
I have charted it up, which can be downloaded as a pdf document-
Please let me know how the chart goes!
The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.
Here’s an excerpt:
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 29,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 11 sold-out performances for that many people to see it.
Click here to see the complete report.
This embroidery is from Egypt, although the Ashmolean Museum has the dates of construction between 10th to 15th century. It is linen embroidered with dark blue flax, 15.5 long and 13 cm wide. The “trees” have three different ovals, but not enough of the embroidery survives to see if a pattern developed.
I have charted up the pattern, which is available as a pdf-
There is a similar embroidery in the Victoria & Albert Museum-
This is the top embroidery, which is linen embroidered with dark blue silk and a twisted linen fringe. The “trees” have a slightly different design but the same oval designs as the embroidery in the Ashmolean Museum. The medallions are of the same dimensions but a slightly different filling design. The V&A Museum also give the dates of 1250-1516 C.E.
The pattern is available to download as a pdf document-
I have not charted up the bottom pattern darning embroidery, but will be doing it soon. Let me know how the embroidery goes!
This Egyptian textile is plain woven linen embroidered with dark blue silk. At the top of the textile there is a rolled hem. It is 25 cm long and 24.5 cm wide. Thought to have been made between the 10th-15th century, it is possible that it is an end of a sash. The textile is in the Ashmolean Museum.
I have charted the design and it can be downloaded as a pdf-
Please let me know how the embroidery goes!
This wooden comb was thought to have been made in Spain between 1400-1450 C.E. It is pierced boxwood with inlays of silver done in the style of mosaics. This is typical of Nasrid woodwork and it called taracea in Spanish. It is 24.1 cm long. It is in the V & A Museum.
This comb was thought be be from the 14th century and was found in Egypt. It is stamped and engraved with a zigzag and holes. There is Arabic on the end, but no translation is on the Qantara site.
This comb is thought to have been made between the 13th and 14th century in Egypt. It is carved with zigzags, circles and an Arabic inscription “firm power”. It is 5.2 cm high and 8.3 cm wide. It is currently in the Metropolitan Museum of Art.
This wooden comb is carved, decorated with joined circles and two Arabic inscriptions “Everlasting Glory” and “and Prosperity”. It is 7.7 cm high and 7.6 cm wide. It is currently in the Metropolitan Museum of Art.
Baths and Bathing Culture in the Middle East: The Hammam on the Heilbrunn Timeline of Art History.